在一家(jiā )救济院(yuàn )，病人(🎉)被(🖥)拍(pāi )恐怖片(piàn )进行精神病(bì(🛂)ng )研究，他们都疯了。这些(xiē )电影(😰)被(🥜)曝光了，其(qí )中五成画面是(🐜)七(🦗)八(bā )十年代OOXX的场景，给(gěi )你(🌩)不(🔂)一样的观影体(tǐ )验…… Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western –(👱) they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages. 都(⛑)说男(nán )人一有钱就变坏，女(🦃)人(🧣)一(yī )变坏就有钱(qián )，这句(jù(🅰) )话(🐚)用在张宝(bǎo )文和他(tā )的秘书(🏃)身(🗳)上(shàng )绝对合(hé )适。张宝文(wé(🍽)n )原(✳)本有(yǒu )一个非常好(hǎo )的前(🈳)程(🍍)(chéng )和家庭，但(dàn )是他却(què )不珍(😊)惜，与(yǔ )自己的(de )秘书走到了(le )一(🏦)起(🤤)。这一段办公室的恋(liàn )情导(👘)致(🔭)了张宝文在(zài )事业上和家(🧗)庭(👋)上彻(chè )底破碎。秘书的贪(tān )婪(🌀)最(🆎)终落到过街老(lǎo )鼠人人喊(💪)打(💖)的地步(bù )。当张宝文重新回(🌮)(huí(🚒) )归家庭(tíng )的时候，一(yī )个熟悉(🕛)(xī(📫) )的面孔站在(zài )了门口(kǒu )挡(🕷)住(📈)了他的(de )视线。 Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again? Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!' ユミは夫と娘(🗂)の(😙)３人暮らし。近々引(yǐn )っ越し(🌓)を考(kǎo )えている。ユミは娘の(🤦)レ(🚄)イナが時折(shé )うわ言(yán )を(🤯)発(💆)することが、少々気にか(😪)か(📈)っていた。転居の報告(gào )も兼(😢)ね(💛)て友人ヒロミと久々に再(😀)会(🏨)するユミ。話題はいつしか(🐟)「(🤘)あの日」のことに。「私たち(📙)が(🌃)埋(mái )めた時、本(běn )当に死(🐝)(sǐ(🕌) )んでたのかな？」。ユミは(➗)「(🛐)あの日(rì )」のことを清算す(🌆)べく、サエ、アコにも再会(🏿)を(💊)決意し、廃墟のような家(🐂)(jiā(🚙) )に一人で住(zhù )むサエに会(📲)い(🐪)に行く。サエは、見知らぬ少(🏃)(shǎ(🚽)o )女が現れて娘だと言って(⬜)聞(💛)かず、しばらく一緒に暮(📑)ら(🛤)していたが死んだこと、そ(🎹)し(🃏)て少女(nǚ )は死んだままそ(🤶)の(🔅)家の３階に寝かされてい(💣)る(㊙)ということを話(huà )し出す。(C)「(🍋)黄泉がえる少女」製作委(wě(🔞)i )員(📧)会